Follow-up Novels: Reading the Next Book

 All my reading life, I've enjoyed finding an author whose work I enjoyed and then plowing my way through their complete works. There's very little pattern to my "author reading" either. In junior high, I read everything by Daphne du Maurier after loving Rebecca.  I was surprised to learn she lived until 1989, since she quit publishing around 1972, right when I was reading her novels. I also read Lloyd C. Douglas' novel The Robe and then read all of his books, first the sequel The Big Fisherman and then the series set in more modern day.

If I like a first novel I read by an author, I'll willing to get another one a shot. What I love best is an author who can follow up with something just as good
but original. While I've had a little more reading time lately, I picked up two books from my "to read" list from that category. I had loved Euphoria, a novel that draws from the life of anthropologist Margaret Mead, a story of love and intrigue set in remote villages in New Guinea. When her novel Writers & Lovers came out with rave reviews and a

recommendation from Ann Patchett on the Parnassus website, I was sold.

Casey, the protagonist, has finished a writing program and has been working on her first novel for about six years. She is overwhelmed with college loans, living in a garden shed, and doing restaurant work to keep her head above water. Her friend Muriel takes her along to a reading by Oscar, a relatively famous writer. Casey can't afford to buy his book, but she recognizes him when he comes to her restaurant with his sons he is raising after losing his wife to cancer. His is moved by her kindness to the boys, who plan to pay for their father's meal as a birthday surprise--for which they are for woefully underfunded--and the two end up developing a relationship.

By coincidence, she is also seeing another aspiring writer, a young man in Oscar's critique circle who also teaches high school. On the surface, the story--something of a love triangle--seems ordinary, but the development of the characters, the clever details (that would certainly ring true to anyone who's worked in a fast-paced restaurant setting), and the satisfaction of the way loose ends are tied up make it something more.

Here's my confession: I started reading the novel on my iPad while working at a blood drive. I was surprised when I saw how many pages I had read. Only as I neared the end did I have the nerve to check to confirm what I suspected: I had somehow skipped a good chunk. I read to the end then skimmed the beginning until I got to the part I had missed. It explained a lot, but honestly, I think I enjoyed the novel as much as I would have if I'd read it correctly. I do think anyone who's ever wanted to write and publish will be struck by her experiences and the reactions of those who try to feed her on doubt. (Her landlord, learning that she's an aspiring writer, says he is surprised she thinks she has something to say.)

Another second read by a novelist I enjoyed the first time was Dear Edward by Ann Napolitano. I had loved her novel A Good Hard Look set in Milledgeville, Georgia, during the Kennedy era. In that book, Flannery O'Connor (with her peacocks) is a secondary character.

Her latest novel is a complete departure from that one. Edward, a 12-year-old boy, is the only survivor of a plane crash as his family is flying to their new home in California. He is taken in by his mother's sister and her husband, an infertile couple facing their own grief. The story alternates between the flight leading up to the crash and the boy's attempt to return to some kind of normalcy.

Both of these books were so unlike the predecessors, but I enjoyed reading both. Now I have a newly arrived copy of Simon the Fiddler by Paulette Jiles (who wrote News of the Day.) I am eager to get started.

Follow-up Novels: Reading the Next Book