Thursday, February 15, 2024

Catching up on My Tar Heel Writers


With the recent news of the passing of Fred Chappell, the former North Carolina poet laureate and a true gentleman, I re-read his lovely book I Am One of You Forever. Chappell wrote poetry as well as fiction and was so generous with his support and encouragement of aspiring writers. This particular book, set on a farm around the time of World War II, is a family story, told with such a gentle hand. 

Jess, the protagonist, is ten when the story opens. Central to the story are his parents and Jonathan, an orphaned teenager who comes to work on the family, sharing a room with Jess, before  

 enlisting. A number of family members visit--particularly colorful uncles with quirky appetites and massive beards.

Chappell doesn't adhere to strict chronological order as he arranges his chapters. Rather than setting up some events as flashbacks, he just shares an earlier narrative event as if, perhaps, he had just recalled it. I know so many authors have chosen to write a coming of age story. Jim the Boy by Tony Earley (also a native North Carolinian) is another excellent example. Other successful writers I won't name fall short of the bar Chappell established when they attempt to tell a nostalgic story from a young protagonist's perspective. 

While I was on my North Carolina streak, I also discovered that Lee Smith had a new novel Silver Alert. This story, set in Key West, Florida, focuses first on Herb, aging and unhealthy, but trying to care for his beloved wife Susan at home, even though her dementia makes it a difficult challenge. A manicurist who calls herself Renee comes to the house and has a calming effect on Susan, endearing her to Herb. As his children stage an intervention, insisting Susan belongs in a facility where she can be better cared for, Herb takes Renee on a last adventure in his sports car, and they end up heading toward Disney World. Whether I am listening to an audiobook or reading, I always hear Smith's voice as I read--full of humor but still so tender in her treatment of her characters.

Last, I had the opportunity to hear North Carolina's Jill McCorkle read from her short story collection Old Crimes at Parnassus Books. Like Smith, McCorkle has such a distinctive writing voice. These stories have some subtle overlapping of characters, while each stands alone. One quirk she noted is the multiple appearances of belts of all kinds in the stories. A teacher myself, I always particularly enjoy McCorkle's stories told from a teacher's perspective. One in particular reminded me of a favorite scene in her novel Life after Life.  I may be re-reading that one.