Saturday, September 1, 2018

Bren McClain's One Good Mama Bone

At a recent book club meeting, there was some discussion about what makes a book a "good book." Sure enough, I find that I often enjoy a story or--in the case of nonfiction--I enjoy learning something new, but I really long for a good story well told, well written.

Another challenge I find is sifting through all the hyped books--those with big publishing companies' budgets behind them--in order to find the jewels. Small independent book stores are usually some of the best places for finding new authors and books that might otherwise be overlooked.

At the final TRIO 3 show at Parnassus Books last month, I left with a couple of books I hadn't read--or even heard about until that night. This particular event is Shari Smith's brain child for which she assigns about 15 books--one each to an artist and a songwriter--for creative response. Quite a few of the authors, singers, and artists were present that evening, and I had the pleasure of meeting author Bren McClain before the show.  After hearing her talk about the book, I knew I had found my next read, One Good Mama Bone, moving it to the top of my stack. Once I started reading, I couldn't stop.

The main character of the novel, Sara Creamer, has lived through rejection by her mother, betrayal by her husband and best friend, and is now trying to raise the boy her husband named Emerson Bridge, with her only income from her seamstress skills. When she learns of the annual 4-H Fat Cattle competition, she sees a chance for a break, buying a steer born to a heifer she calls Mama Red, long past prime time for birthing calves. Separated from her young steer, she breaks through fences to find her bawling baby.

Emerson Bridge's biggest competition in the cattle competition is his classmate Little LC Dobbins, who lost the previous year, spoiling the winning streak of his older brother' Charles. LC's father Luther wants to be respected as a cattleman, but most of his success has been through others' efforts. Over the course of the story, Dobbins' wife Mildred, whom he married for her family money, develops a friendship with Sara, a blessing to both women.

Ike Thrasher, one of the many interesting secondary characters, the son of the original landowner, was also rejected by his father. He has given up his preaching career and is trying to prove himself a man, partnering with the Creamers to raise the steer the boy names Lucky.

In what on the surface,might be described as a book about cows, McClain builds a tale about what it means to be a mother, a father, a man. At the heart of the story, giving the novel its title, is Sara's memory of her mother's declaration that Sara didn't have "one good mama bone." What at first seems to be a self-fulfilling prophecy becomes a challenge instead.

The story takes on issues of race and class, particularly examining what can happen when someone rises above his circumstances, but never feels accepted or vindicated. In a way, Luther Dobbins is one of the most tragic figures in the story. He has the desire to connect with his younger son, but he fails to act on his best instincts. His concerns for appearance and admirations always undercut his best intentions.

Emerson Bridge also carries with him his father's final words of advice about acting in kindness, reinforced when the boy becomes a member of the Roy Rogers Riders Club, whose pledge includes treating animals with kindness.

Throughout the story, McClain sometimes shifts to the perspective of Mama Bone the cow and her baby, providing an element of dramatic irony. She also uses Sara's confessional monologues to Mama Bone to fill in some of the background details leading up to Emerson Bridge's birth.

I can think of a few other books in which the animal characters were as engaging as the humans--Watership Down  and The Story of Edgar Sawtelle, for example. The highlight of this novel was the relationships between humans and animals. These relationships often prompted most of the human characters to act with greater integrity and kindness. With a light hand, McClain doesn't just tell a story, she crafts a pitch perfect narrative.


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