Saturday, February 16, 2019

There There by Tommy Orange: More than A's and Raiders in Oakland

There must be particular challenges for any author who tries to represent his or her own culture. Lean too far one way, and you run the risk of romanticizing; the other, and you may be accused of airing dirty laundry. Tommy Orange, in his novel There There manages a careful balance as he presents a slice of Native American culture rarely represented in literature.

Sherman Alexie and Louise Erdrich, by contrast, have given keen views of life on and around the  Reservation. Orange, though, brings together a vast assortment of individuals, not stereotypes, living in urban Oakland, California.

As he weaves together so many lives that at first seemed connected only because they are Native Americans, Orange connects the dots. His protagonists are flawed and vulnerable. While some are victims of their circumstances, others have made painful, even disastrous choices.

Readers looking for the connection between the numerous narratives begin to see everything moving toward the Big Oakland Powwow, a celebration of Native culture to be held in the Oakland Stadium. Opal will attend because she realizes that one of the grandsons of her sister Jacquie, whom she has been raising, plans to compete for the big prize, wearing the regalia she has hidden. Dene Oxendene will be there, continuing his interviews for which he was awarded a grant. Blue, the daughter Jacquie gave up for adoption will be there, having moved to Oakland after escaping an abusive marriage.

In fact, Blue's escape by bus, with her husband pursuing closely, threatening her even as she hides in the Greyhound station ladies restroom, is one of the most suspenseful passages in the novel.

The tension throughout the novel builds as readers realize that a handful of young men plan to rob the powwow, using guns made on a 3-D printer, aware the prizes will be awarded in the form of gift cards. This cannot end well.

Just as Urea's House of Broken Angels presents the many facets--good and bad--of one particular Hispanic family living in the U.S., Orange builds portraits of individuals in community, in family, living out modern history. He even chronicles Opal and Jacquie's experiences living with their mother on Alcatraz during the takeover during the 70s.

Orange succeeds in piecing together a closeup view of one group of Americans, individuals intricately connected.
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Friday, February 8, 2019

Sightseeing on Others' Literacy Journeys


In my fifth semester as an adjunct at Lipscomb University, teaching University Writing, I have been guiding my students for the last few weeks on a look back at their "literacy journeys." They have reflected on how they learned to read and write--and in far too many cases, how they lost their love for reading.

As long as I have taught, I have been particularly interested in how to preserve or rekindle the love for pleasure reading. When I ask students when they quit loving reading, two themes emerge: the Accelerated Reader (AR) program and force-feeding of assigned books, followed by objective tests over the minutia. Conversely, when I ask the ones who love to read about their positive influences, they invariably mention parents who read aloud to them and teachers whose own passion for books and for students rubbed off on them.

I can honestly admit that sometimes I resisted required reading. (The Scarlet Letter and Billy Budd the Sailor come to mind.) Even some of my best students admitted to reading just enough to pass the test, although one of my most clever students said she finally read the ones she'd skipped--after graduation. They were great, she admitted.

This week, I've held conferences with students, looking over their drafts together before the final essay is due. The titles that keep coming up are often books I've loved--Little Women, Pride and Prejudice, The Things They Carried, Nancy Drew mysteries, the Harry Potter series. Some of the books they read weren't around when I was younger--The Magic Treehouse series, Geronimo Stilton, Percy Jackson.

Some of them flourished most when they had the opportunity to choose some books on their own. One students who had a bad experience in class was invited by the same teacher to join a summer book club with a group of girls her age. Another became part of a bookclub started by friends when the teacher discouraged their reading the Hunger Games series. As I long suspected, nothing lights a fire to read for young people like telling them not to read a particular book or series. Conversely, nothing extinguishes the flame like assigning a text as if it's something teachers do to students. (Take this book: It's for your own good--like bitter medicine.)

In a happy coincidence, my thirteen-year-old granddaughter called me while I was still on campus to tell me her teacher had given them a list of classics from which to make a selection. She was so excited and wanted my advice (and access to my book stack.) I couldn't wait to get home and comb through my shelf and bring her a sack of books. I'm hoping she might choose Little Women, the first classic I remember reading, one I haven't read in so long that I've already been thinking of reading it again. In fact, in my car's CD player, I'm listening to Anne Boyd Rioux's  Meg, Jo, Beth, and Amy: The Story of Little Women and Why It Still Matters. 

Maybe while I'm at it, I'll write a thank you note to Margaret Epperson, my elementary school librarian and my earliest mentor other than family members. I'd better get busy now. In a few days, I'll have 63 essays to read.
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