Monday, June 11, 2018

The Weight of Ink by Rachel Kadish

I am thankful for the highlighting function on iBooks.  I'm a reader who marks in her books. While I keep some books relatively pristine (Is that modifier possible?), I do tend to make notes as I read. I am more hindered in reading by the lack of a pencil or pen than by the inability to locate any of the dozen pair of readers I keep lying around.

Most recently, I had Rachel Kadish's novel The Weight of Ink loaded on my iPad for a road trip. I had started the first chapter earlier and then had been distracted, moving to another book (probably one assigned by a book club). When I started again, though, I couldn't stop reading.

The book opens around 2000 in Richmond (outside of London), where Helen Watt, a history professor has been summoned by a former student she barely remembers. He and his wife are remodeling or restoring a home she inherited from an aunt or grandmother when an electrician discovers what he thinks are Arabic writings under the stairs, stopping construction. Closer inspection indicates these papers are written in Hebrew and date back to the seventeenth century.  Watt is on the brink of retirement and experiencing some serious health problems she keeps private. Her department chair recommends Aaron Levy, a brash American student stalled in his dissertation work, to help her. When her university purchases the treasure trove of letters and documents, she and Aaron must the clock, under the watch of the library's "two Patricias," as other scholars are allowed access as well.

The second thread of the story follows Ester Velasquez, a young girl sent to London after her parents' death by fire. She ends up in the home of a rabbi blinded for his faith during the Inquisition in Portugal. During the time of novel, Jews have just been permitted in England again the during Restoration Period when Charles II regains the throne. While the rabbi has a few reluctant male pupils, Ester shows a unique ability and interest, becoming his scribe, going again, at the very least, convention.

Kadish's narrative in the seventeenth century covers conflicts and divisions within the Jewish community and between the Jews and Gentiles in London, the plague, and the Great Fire of London. In the 21st century sections, the author also weaves back stories of romance for Helen and for Aaron. All the characters wrestle with faith, scripture, identity, loyalty, and person values.

My initial reading also convinced me how rich a close study of the book would be: Kadish weaves symbolism of ink and ash with martyrdom and the Masada. While her major characters are fictional, her afterword assures readers that she carefully researched the periods in question. She even reveals a couple of instances in which she took minor poetic license to shift facts.

The book presents three particularly strong female characters and a number of men and women of integrity conscious of their own flaws in search of truth. When I go back to my notes and bookmarks, I'm due a some searching of my own.

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