Showing posts with label Tom Hanks. Show all posts
Showing posts with label Tom Hanks. Show all posts

Thursday, June 15, 2023

Fear Not! I'm Still Reading


 First, let me allay any fears that I have abandoned reading. Not so. I am ashamed that I have fallen so far behind on posting about my reading exploits though. I'm at that stage in my dissertation process that when I write, it's often academic. The end is in sight, though.

I may not be sharing what I am reading, but I never stop reading. I admit I have relied on audiobooks more, taking advantage of time in the car, at the gym, working around the house to listen. My latest such experience gave me a chance to hear audiobook reader extraordinaire Tom Hanks.

I had already enjoyed his reading his collection of short fiction Uncommon Types, as well as Ann Patchett's The Dutch House. While he has other actors reading parts for this newest book, The Making of Another Major Motion Picture Masterpiece, including his wife Rita Wilson, he does most of the reading, and he does it well.

We've all heard the old advice, "Write what you know." Hanks certainly followed that rule, pulling together disparate threads to weave the story of Knightshade: The Lathe of Firewall, the movie adaptation of a comic book, looking back at the late 40s childhood of the graphic artist and the uncle for whom he was named but who made himself scarce after returning from the way. In present time, readers meet Bill Johnson, the producer/director of the film, and a delightful cast of characters--literally. 

Some of the best characters in the story are women, particularly Alicia (Al) McTeer, Johnson's assistant director, whom he discovered working at a Garden Suites, and Ynes Gonzales-Cruz, a rideshare driver, who lands a job with the production. Both have found success by being good problem solvers in what might have seemed dead end jobs. Equally well-drawn are the lead actors in the film as well as such minor characters as the makeup artists, spouses, and bit actors.

While Hanks' strength is his character development, he also has a filmmaker's eye for sensory details. Lone Butte, the North California town where the movie is filmed, becomes so real, I think I could find Clark's Drug Store. He also has a knack for building suspense, but sometimes letting his characters elude disaster without use of deus ex machina. 

Most refreshing is the way characters genuinely care for one another. Yes, there are antagonists, but most often, those in power take the high road or give opportunities to people they might have overlooked, This may not be an accounting of "the making of every major motion picture," but I like to think the process could be more like the one in the story.


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Monday, September 9, 2019

Tom Hanks' Uncommon Type: A Study in Voice

I picked up the audiobook of Tom Hanks' short story collection Uncommon Type on a whim. I knew he'd been in Nashville promoting the book, but I hadn't heard much about it from my reading circles. Since the narrator of a book can make or break the experience, I was pleased to note that Hanks was reading his own work.

Just as the audience has to suspend disbelief when seeing the same actor in different roles--think Forrest Gump, Big, You've Got Mail--hearing the familiar voice delivering these stories might have been a distraction. It wasn't.
The first story "Three Exhausting Weeks" introduces a four characters that reappear in a couple of later stories, four friends who couldn't be more different from one another. The narrator has minimal pressure to work, having inherited money after his mother's death, leaving him time for adventures with his friends: Anna, the only female in the group, and two males--Steve Wong, a prodigious bowler and new citizen MDash.

Hanks manages to inject a little magical realism and time travel in some stories, while the others are realistic, even nostalgic. In only one story does the narration shift from Hanks alone to a cast that comes across like reader's theatre, or an episode of "Guy Noir, Private Eye."

The sole element that unites the story is the presence of at least once vintage manual typewriter in each story. I found myself listening for it the way Hitchcock fans kept an eye peeled for his cameo shot in each film.

The stories stand on their own with out the celebrity factor. In fact, the dramatist's eye for the specific and tangible, as well as his ear for clever dialogue made for a surprisingly pleasant reading experience.
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