Thursday, August 11, 2016

Book Club Beginnings

Recently at a dinner party with a particularly congenial group of friends, someone suggested we needed a book club. Even though some of us are already part of a book group that meets during the day, several of the women's work schedules don't allow for daytime meetings, so we decided to try an evening group too.

Tonight we have our inaugural meeting at the home of one of the women, so I'm thinking a lot about how to get started on the right foot.  I know some of the problems with keeping a group going--scheduling conflicts, book selections, too much focus on the refreshments, life in general. I also know how rewarding friendships can be when they revolve around reading for pleasure and mental stimulation.  I wish I'd cut out the article by a former book editor for the Charlotte Observer who said that while her husband read, he didn't want to discuss his reading with her. (He does not, she complained, "give good book.") I love book talk.  One of the greatest pleasure after reading a good book (or any book for that matter) is discussing it with someone else.

I've been going through my computer files for documents I've created for my NC book club (I miss you all!). One is a compilation of questions from the "By the Book" segment of the NYT book supplement, one of my favorite sections every Sunday. While answering them all would be daunting, they certainly delve into the reader's psyche:

What books are currently on your nightstand? Which books might we be surprised to find on your shelves?

And what’s the last truly great book you read?

What’s the best book you’ve read so far this year?

Whom do you consider the most overlooked or underappreciated writers?

What kinds of stories are you drawn to?  And steer clear of?

And what are your favorite books of all time? What’s the best love story you’ve ever read?

Who is your favorite novelist of all time? And your favorite novelist writing today?

If you had to name one book that made you who you are today, what would it be?

Is there a certain type of book you try to steer clear of as a reader? And a type of story you’re drawn to?

What are your literary guilty pleasures? Do you have a favorite genre?

What kind of reader were you as a child? Have you ever gotten in trouble for reading a book?

What was the last book to make you laugh? The last book that made you furious?

If you could require the president to read one book, what would it be?

If you could meet any author, dead or living, who would it be and why?

If you could be any character from literature, who would it be?

You’re hosting a literary dinner party. Which three writers are invited?

What’s one book you wish someone else would write?

Which books are you embarrassed not to have read yet?

Disappointing, overrated, just not good: What book did you feel you were supposed to like, and didn’t? Do you remember the last book you put down without finishing?

What book do you find yourself returning to again and again?


What do you plan to read next?

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Monday, August 8, 2016

Clapton's Guitar by Allen St. John

I love it when I'm reading a book and can hardly finish it for wanting to talk to someone else about it. That's exactly how I felt while reading Clapton's Guitar, journalist Allen St. John's story of convincing Virginia musician and guitar builder Wayne Henderson to complete the guitar he'd had on order for at least a couple of years for Eric Clapton.

I'd heard Henderson play while living in North Carolina, and at the most recent MerleFest at the "Mando Mania" session, as the artists discussed their mandolins, one was a Wayne Henderson model.

What readers never learn is whether St. John eventually got a coveted guitar for himself from the master builder. In the book, though, he describes the process and the workshop in such detail I felt as if I had been there with the men--and yes, he realizes, this is almost exclusively a boys' club. The people who come in and out of the workshop by Henderson's home are the jokers and story tellers, the neighbors and festival planners.

Along the way, St. John also clearly distinguishes old time music from bluegrass, and both from anything else. I found myself building a playlist as I read, since he refers not only to the tunes I know best, "Blackberry Blossom" or "Deep River Blues," but other tunes one would be more likely to hear at a fiddler's convention than at Carnegie Hall--both of which Henderson plays.

Through the book, I developed a new respect for luthiers and a broader knowledge of the history of Martin guitars.  The footnotes were interesting too.  For example, I learned that Nazareth, mentioned in the Band's best known song, "The Weight," refers not to the town where Jesus was born, but the Pennsylvania town where the Martin factory is located.

I read the electronic version of the book, but I'd recommend the paper copy for anyone who wants easier access to the extensive glossary. I also kept flipping back to the opening pages, where he includes a clearly labeled graphic of a guitar.

The book, though technical in many ways, is infinitely readable, developing a wide cast of characters set in a unique setting. For good measure, he includes a buzzard and possum story one won't forget soon.
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Friday, July 29, 2016

Some of the stories from Jhumpa Lahiri's story collection Unaccustomed Earth still haunt me, so I was eager to immerse myself in her most recent novel, The Lowland. This book opens in a village outside of Calcutta in the late 60s, with two brothers Subhash and Udyan who live just outside the wall of an exclusive golf club. While Udyan becomes involved in the political movement Naxilism, Subhash moves to the United States for his education, and their lives take diverse paths.

Lahiri present the narrative from the points of view of Udyan, his wife Gauri, widowed after Udyan's involvement leads to his death, and Bela, their child he never knew, but the older brother Subhash remains the main focus of the story.

After finishing school, Subhash remains in Rhode Island, rarely returning to his childhood home and failing to live up to his parents' expectations. Instead, he marries Gauri to save her from her secluded live with his disapproving parents and raises his brother's daughter as his own child.

Since much of the story takes place in the United States during the Vietnam war, readers may be surprised to realize that the unrest in India at the same time failed to register on the American consciousness. Lahiri weaves a story steeped in diverse cultures, yet produces characters with universal struggles--coming to terms with disappointment in others and oneself, telling and accepting truth, finding love.

The story with its embedded flashbacks comes together like a puzzle, and despite all the personal conflict between the characters, Lahiri draws them with such shades of dark and light that readers don't have to choose sides. I found myself wishing redemption for them all.
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Tuesday, July 12, 2016

End of Watch: Stephen King wraps up his latest series

I'll confess that I'm not one of those readers who gobbles up everything Stephen King writes. In fact, the first novel of his I read was Misery, back during the Iran Contra hearings on television while I was home with a new baby. I liked his writing, but there were so many books on my list, I didn't get hooked.

Then I read his excellent book on writing. It was one of those most borrowed (or stolen) from my classroom book shelf. After November 22, 1963, I had to admit that King was as varied as he was prolific.

Then I started Mr. Mercedes. I don't know what led me to choose this one--in audio at the library, but I immediately loved Hodges, the retired detective at the center of the story and Jerome and Holly, the unlikely sidekicks he picks up along the way to solving the horrific City Center event when a driver plowed into a huge crowd of people camping out at an employment fair. When Finders, Keepers, the sequel came out, I was on the waiting list again. I loved the technologically challenged, aging detective, his partner, the socially inept but computer savvy Holly and Jerome, originally the teenager who does Hodges' yard work, but eventually tackles his computer issues.

With the publication of the final book in the trilogy, King made an appearance in Nashville. The event tickets were snapped up in four minutes. I didn't get any. But I happened into the library when the book was on the "Lucky Day" shelf--new releases available for 14 days only.

In this book, the Mr. Mercedes killer is still in the brain damage ward of the local hospital, but Hodges' partners have stages in intervention, convincing him to quit visiting Brady Hartsfield, whom he suspects is faking to avoid prosecution. When one of the seriously injured City Center victims and her mother are found dead of apparent suicide, Hodges' former partner, about to retire himself, calls him in for his opinion.

The novel that results balances 95% realism with that 5% creepy supernatural King does so well. Using retro handheld game devices, someone (Hodges suspects Hartsfield) is setting off a rash of successful and attempted suicides.

I was glad I kept reading through the epilogue and acknowledgments, where King points out to readers that while the story is fiction, suicide is real and serious. He provides the suicide hotline number and encouragement for anyone considering suicide to give things time to get better because, as he points out, they eventually do.

While I felt the ticking of the clock as I power read the book, trying to finish it in time to return it to the library for the next lucky reader, I lost myself in a well-told story. I'm missing Hodges and his friends already.
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Thursday, July 7, 2016

My List of 12 Southern Writers

As I mentioned in my last post, I was motivated by Dannye Romine Powell's column to come up with my own suggestion of a dozen works by Southern writers I would recommend to book clubs (or anyone interested in a good Southern read.) The biggest challenge was deciding which book to select, once I'd chosen my author. For some I chose the most familiar, as a kind of sampler platter to encourage reading deeper in their list:


1. Harper Lee, To Kill a Mockingbird  This is one book I can read and re-read. It makes me laugh and
     cry. I love Scout and Jem and Atticus. For anyone who loves the book, rather than sending you on 
     to Go Set the Watchman, I'd suggest Truman Capote's wonderful short story "Christmas Memory"

 2.  Flannery O’Connor, Revelation” (short story) I loved teaching all of O'Connor's short stories, but 
     this one in particular does what she does best: shock us with the absurd behavior of her characters
     a split second before we recognize a bit of ourselves in them.

 3.  Eudora Welty, “Why I Live at the P.O.” (short story)  The only thing better than reading this story 
     is to listen to a recording of the author reading it! 

 4. Ernest Gaines, A Lesson Before Dying One of my teacher friends told her students this is one book
     everyone needs to read to be fully human. I can't say I disagree.

 5. Clyde Edgerton, Walking Across Egypt After I read this book (and laughed until I hurt when        
      Mattie Riggsby gets stuck in the chair), I read everything else he wrote. I still do.

 6. Ron Rash, “Hard Times” (short story)  I love everything Ron Rash writes--his novels, his poetry,
     but his short stories are pitch perfect. This one is the first story in his collection Burning Bright.      
     It's a good introduction to his writing. Then start at the beginning of his novels, One Foot in Eden
      and then the poetry.

 7.  Clyde Gurganus, The Oldest Living Confederate Widow Tells All  This sprawling novel took me a 
     while to read. Then it stuck in my head. Forever.  

 8. Donald Davis, “A Different Drummer” (short story) Davis is known for his storytelling and, 
     indeed, the best way to experience his stories is to hear him deliver them. This one from Listening
     for the Crack of Dawn is, hands down, my favorite.

 9. Tony Earley, Jim, the  Boy  This book with a young protagonist was just a perfect novel to me.
      When I read it, I had just read another book with a similar setting and young main character,
      written by a much more famous writer. This book blew that one out of the water. In my favorite
      scene, the boys uncles get him to sneak out of the house with them to watch the first electric lights 
      come on in their town.  I also LOVE the Jack Tale at the end of Mr. Tall, and I want to talk to 
      someone else who has read it.

10. Charles Frasier, Cold Mountain This is my all-time favorite book to teach in class. I read it first as 
      a reader, just for the story. Then I read it again to see the craft he used to put the story together. I
      re-read it along with my students year after year and never tired of it.

11.  Rick Bragg, All Over but the Shoutin'  I keep giving this one away to friends to read. I read Ava's
      Man first and loved it. I'm glad I got to this one too. 

12. Pat Conroy, Prince of Tides   I love all of Conroy's big, wordy novels, but this one I read first.
      I went on to read them all--Beach Music, The Great Santini, Lords of Discipline, The Water Is
      Wide. I'm sad there won't be any more.

I could start right now thinking of other Southern writers and books I should have included. I should tell you the ones to watch for:  Shari Smith', Susan Yergler-Bradburn, Wiley Cash, Ann Patchet, and lots more appearing soon at a bookstore near you!

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Saturday, July 2, 2016

Southern Literature Challenge

I just saw a post "My Assignment: Pick 12 Southern Writers" from Dannye Romine Powell, poet and long-time columnist for the Charlotte Observer, announcing that she had been asked by a by a local book club to recommend works by Southern writers. She shares her list, which includes some works I've read (such as Eudora Welty's short story "A Worn Path" which came up in a conversation I had today) some works I haven't read by authors I have (Josephine Humphreys, for example), and others with which I was unfamiliar.

She finishes with a mention of a short list of writers she'd omitted--in this particular list at least: William Faulkner, Walker Percy, Pat Conroy.

Anyone knows--Powell knows--such list a highly debatable. Isn't that what makes them fun? I'm going to take a day or two for my own list I would have assigned to the same request, but I'd love to hear yours.



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Thursday, June 30, 2016

Miss Peregrine's School for Peculiar Children: It's All about Timing

Readers may be as tired of hearing about my move as I am of the process itself, but the ongoing experience of unpacking and the discovery that results has provided opportunity to muse on certain life concepts. The biggest challenge centers first on what to keep, what to give or throw away; now, though, I am making decisions about what to leave stored in boxes and what to place within reach. I came across a Pampered Chef ice shaver I've had for years and used just once--just in time to entertain my grandsons who are visiting for the week.

Now that I have a few sets of book shelves installed in what can still be called "the box room," I have made the hard decisions about which books earn a spot. Do I shelve the ones I have read and loved, the ones to which I return as references, or the ones I hope to read next? I did a little of all three.

As I finished one book and selected another, in this case for a trip to the beach, I came across Miss Peregrine's Home for Peculiar Children, a book that I've owned since its publication. I came across it at the NCTE annual convention, where I often discovered good books. I'll confess, I judged the book by its cover. I was drawn to the old black and white photograph of the little girl who, on close observation, appears to be levitating.

The book starts far from the home mentioned in the title, as Jacob, sixteen-year-old boy, responds to a frantic call from his grandfather and finds him in the woods behind his house the victim of a deadly attack. In the aftermath, Jacob suffers from nightmares and spends time with a counselor.  Going through his grandfather's collection of letters and photographs, he is drawn to visit the English island where the man had been sent as a boy escaping the Nazis.

Once he and his father reach the isolated island, he finds himself moving back and forth in time, meeting all the "peculiar" children who lived in the home with his grandfather before the man chose to leave to fight against the German forces in WWII. At this point, author Ransom Riggs moves back and forth between realism and fantasy as Jacob is drawn into the challenge facing the children who have been living and reliving the same day the island was bombed by Nazi forces.

The conclusion begs for a sequel, and since I waited to read the book, I don't have to wait for the sequel to be written. I particularly look forward to the photographs, which I learned at the end of the book, are real photographs from several collections. My first instinct is to start looking for this kind of photos at antique stores. But then I'd have to find somewhere to store them.
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