Tuesday, April 25, 2017
Maria Semple, who wrote Where'd You Go, Bernadette? has followed with a "one day in the life" story of Eleanor Flood, a wife and mother beginning her day making a commitment to be a better person. She's called away from her private poetry lesson when her son complains of illness--again--to the school nurse. She and her son Timby discover that her husband, whom she saw holding his head at the breakfast table, is not only not in his office but that he
has told his employees he's on a week vacation. Suspecting the worst, she and Timby engage in a series of adventures across the city. Flashbacks and stream-of-consciousness inform readers of her career writing for a popular television series, her far-too-prolonged book deal, and her estrangement from her sister, the other "Flood Girl." At times, Semple shifts to husband's Joe's point-of-view as well.
At story's end, after much "madcap adventure," she discovers (spoiler alert) that her husband--a former Catholic and avowed atheist--has become part of a Christian congregation after the team chaplain on the sidelines where he serves as orthopedist on call begins to help him address personal problems. While at book's end Eleanor and Timby seem eager to join Joe as he goes to seminary in Scotland, she doesn't seem to make any kind of peace with his conversion. In fact, she says he has gone from being the most interesting person she knows to the most boring. That seemed problematic at least to this reader.
In Andrew's Brain, the last novel by the late E. L. Doctorow, the entire narrative is revealed as the title character engages in a dialogue with someone he refers to only as "Doc." Through these conversations, the details of his life are teased out: After his failed marriage to Martha, following the death of their only child, he ends up appearing on Martha's doorstep bereft, holding the infant child of his second wife Briony, his much younger former student, who has apparently died. (This is not a spoiler. That much is revealed early. The full story emerges only in bits and pieces.) While Andrew may not be a totally unreliable narrator, his tendency to withhold details, even entire incidents, until he feel the time is right, keeps readers guessing before he delivers one-two punches.
I kept thinking of a favorite old Young Adult novel by Robert Cormier, I Am the Cheese, also a tricky little tale told in much the same fashion, but with an ending that sent me immediately back to chapter one. Andrew is complicated but engaging, and his observations about people in his life are intriguing. Everything about him, though, is revealed indirectly. (As Emily Dickinson suggests, "Tell the truth but tell it slant.").
Both of these books kept me interested but left me a bit unsettled, thinking about them long after I came to the conclusion. Maybe that's not such a bad reading experience.
Thursday, April 20, 2017
Meredith deals with typical middle school angst, finding herself and her two best friends in the middle tier of popularity comparing themselves to the popular girls, with the eighth grade queen bee Lisa Bellow.
On the day of a math test, when Meredith stops by the local sandwich shop after school to reward herself with a root beer, Lisa Bellow is there too. A man enters wearing a face mask and a long hoodie to rob the store, and Meredith finds herself lying on the floor face to face with Lisa. The man's apparent split second decision to make Lisa leave with him sets Meredith's world on a tilt.
Perabo balances Meredith's story with the perspective of her mother. Claire Oliver and Meredith's father Mark are dentists in practice together. Over the course of their marriage, Claire has confessed both large and small errors of judgment that Mark took more seriously than she expected him to do. Both of them, however, are baffled by how to treat their daughter who wasn't kidnapped, as she eventually returns to school with the awkward distinction of being the last person to see Lisa alive.
Lisa Bellow's friends and her mother reach out to Meredith, and she moves into their inner circle, distancing herself from her two best friends, but she doesn't tell anyone that she imagines she can see what's going on in the apartment where Lisa is being kept.
The story itself is gripping, and Perabo using some particularly clever narrative twists to keep readers guessing about what is real and what is imagination. She presents a believable depiction of middle school and of family life in the midst of trauma--in the case of the Olivers, the double trauma of Evan's injury and Meredith's close call and the aftermath.
Perabo's characters are flawed, complex, but sympathetic. Readers can't help pitying Miss Bellow, Lisa's single mother, while still wanting Meredith to be safe from the pressure from outsiders as a result of the ordeal. Even with unanswered questions, Perabo leaves her audience--no matter what age--hoping for a family to be healed.