Showing posts with label A Good Hard Look. Show all posts
Showing posts with label A Good Hard Look. Show all posts

Wednesday, April 29, 2020

Follow-up Novels: Reading the Next Book

 All my reading life, I've enjoyed finding an author whose work I enjoyed and then plowing my way through their complete works. There's very little pattern to my "author reading" either. In junior high, I read everything by Daphne du Maurier after loving Rebecca.  I was surprised to learn she lived until 1989, since she quit publishing around 1972, right when I was reading her novels. I also read Lloyd C. Douglas' novel The Robe and then read all of his books, first the sequel The Big Fisherman and then the series set in more modern day.

If I like a first novel I read by an author, I'll willing to get another one a shot. What I love best is an author who can follow up with something just as good
but original. While I've had a little more reading time lately, I picked up two books from my "to read" list from that category. I had loved Euphoria, a novel that draws from the life of anthropologist Margaret Mead, a story of love and intrigue set in remote villages in New Guinea. When her novel Writers & Lovers came out with rave reviews and a
recommendation from Ann Patchett on the Parnassus website, I was sold.

Casey, the protagonist, has finished a writing program and has been working on her first novel for about six years. She is overwhelmed with college loans, living in a garden shed, and doing restaurant work to keep her head above water. Her friend Muriel takes her along to a reading by Oscar, a relatively famous writer. Casey can't afford to buy his book, but she recognizes him when he comes to her restaurant with his sons he is raising after losing his wife to cancer. His is moved by her kindness to the boys, who plan to pay for their father's meal as a birthday surprise--for which they are for woefully underfunded--and the two end up developing a relationship.

By coincidence, she is also seeing another aspiring writer, a young man in Oscar's critique circle who also teaches high school. On the surface, the story--something of a love triangle--seems ordinary, but the development of the characters, the clever details (that would certainly ring true to anyone who's worked in a fast-paced restaurant setting), and the satisfaction of the way loose ends are tied up make it something more.

Here's my confession: I started reading the novel on my iPad while working at a blood drive. I was surprised when I saw how many pages I had read. Only as I neared the end did I have the nerve to check to confirm what I suspected: I had somehow skipped a good chunk. I read to the end then skimmed the beginning until I got to the part I had missed. It explained a lot, but honestly, I think I enjoyed the novel as much as I would have if I'd read it correctly. I do think anyone who's ever wanted to write and publish will be struck by her experiences and the reactions of those who try to feed her on doubt. (Her landlord, learning that she's an aspiring writer, says he is surprised she thinks she has something to say.)

Another second read by a novelist I enjoyed the first time was Dear Edward by Ann Napolitano. I had loved her novel A Good Hard Look set in Milledgeville, Georgia, during the Kennedy era. In that book, Flannery O'Connor (with her peacocks) is a secondary character.

Her latest novel is a complete departure from that one. Edward, a 12-year-old boy, is the only survivor of a plane crash as his family is flying to their new home in California. He is taken in by his mother's sister and her husband, an infertile couple facing their own grief. The story alternates between the flight leading up to the crash and the boy's attempt to return to some kind of normalcy.

Both of these books were so unlike the predecessors, but I enjoyed reading both. Now I have a newly arrived copy of Simon the Fiddler by Paulette Jiles (who wrote News of the Day.) I am eager to get started.
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Tuesday, August 9, 2011

Revisiting Flannery


It's no secret that I'm a Flannery O'Connor fan. I gained my genuine appreciation several years ago when the literature anthology I used for AP English (Bedford Intro to Lit) included four or five of her stories. I'd read one or two before, but when I read--and taught--several together and had the advantage of some accompanying essays by and about her, I became a real fan.

One of my favorite culminating activities was to host a talk show (Think Sally Jesse Raphael or Maury Povich) during which my students came in character. I let them decide on themes related to the recurring ideas we saw in the book. They were easy to locate--Misfits, Bad Kids, Dysfunctional Families. Television producers today would find a gold mine in June Star or Joy/Hulga or Manley Pointer.

Ann Napolitano's new novel A Good Hard Look is set in Milledgeville, Georgia, O'Connor's home town in the sixties, the years leading up to her death from lupus, the disease that also claimed her father at an early age. In this book, though, Flannery and her mother Regina are just two of the characters whose lives intersect, sometimes in the same violent way that her characters' did.

Cookie, a hometown girl, returns from New York to marry Melvin, a wealthy young man she met there and convinced to move to Georgia for her. Lona, the bored wife of a policeman aspiring to be chief, becomes too close to Joe, the high school boy she takes on as an assistant as a favor to her mother, who looks after Lona's daughter Gigi during the day.

While Cookie is working in the local women's clubs to ban Flannery O'Connor's books, which she believes make the town look "just awful," her new husband is giving Flannery driving lessons and building a strong and unusual friendship, a secret he keeps from his wife.

Napolitano has done her homework, including details from O'Connor's life--her trip to Lourdes at her mother's insistence, her writing, and in particular her legendary peacocks, which play a prominent role throughout the story. The author keeps the research light--enough to sate O'Connor fans, to be convincing, without letting someone else's stories take the place of her own. Rather than throw up too many plot details, she instead shows the author's anxiety, her need to get it right, knowing that her writing is all she'll leave behind.

Napolitano's writing is good, her eye for detail, for mind-searing images. She also handles the subject of religion, faith, and grace, important themes in O'Connor's works, with credibility and sensitivity. Readers may find an urge not only to read more by and about Flannery O'Connor, but also to take a look at Napolitano's earlier writing as well.

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