Thursday, March 31, 2011

It's National Poetry Month: Let the Fun Begin

Anyone who knows me well knows I get a kick out of National Poetry Month. I'll admit that, like Black History Month or Women's History Month or Men's Health Month--or any of those other celebrations--a month isn't long enough. Not really. But it's a great opportunity to introduce--or reintroduce--poetry to those who may not consider themselves fans, while those of us who love poetry can revel in an exces.. With that purpose in mind, I plan to read poetry voraciously this month and to report on what I read. I will also be looking for chances to hear poet's read their works, starting tonight at Caldwell Community College in Hudson, NC, where NC Poet Laureate Cathy Smith Bower will be reading and tomorrow at noon when she'll be joined on campus by her predecessor in the post, Kathryn Stripling Byer. If you need other ideas for celebrating the month, check out my guest post at Poetic Asides. I invite your ideas and reading suggestions as well. Check back through the month for fun links too.
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Monday, March 21, 2011

Listening...Nick Hornby's Slam

My options for audio are so much narrower than my other reading choices. I go through the libraries, book stores, Ollie's, Tuesday Mornings, anywhere I might get an audiobook for no more than the regular price of a book. I was pleased to discover that Cracker Barrel (which has a great borrowing program at a minimal cost) has finally upgraded to CD and unabridged books.

On my recent trip to Nashville, I made a special stop at the bookstore in the Tanger Outlet where I'd scored some really good ones for under ten bucks last year. I picked up Nick Hornby's Slam, among others. After having enjoyed Juliet, Naked, I thought this one might be fun too.

Although the protagonist is a teenager turning from fifteen to sixteen, I wouldn't exactly all this a YA novel. At first I wasn't sure if I'd get into the story abouta skater (because only a dweeb would call himself a skateboarder) who talks to his Tony Hawk poster. And TH answers him--or at least seems to. The answers come directly from the (only) famous skateboarder's autobiography

Sam was born when his own mother was 16. So when he learns on his own sixteenth birthday that his girlfriend Alicia is pregnant, he has a lot to discuss with Tony Hawk. Maybe I am a sucker for a British accent (It does make the story more interesting. I don't know why), but I found myself becoming more and more engrossed in the story, which was funny, sad, touching, and thought-provoking. The difference in age and social class between Sam's mom and Alicia's parents adds to the conflict--and at times, the humor.

The author--or Hawk--sends Sam on a couple of time travels into the near future (where he doesn't know his own son's name)--the source of much tension and discomfort--but cleverly handled.

The book might be great extracurricular reading for a high school abstinence-based sex ed course (since Sam decides he'll probably NEVER be interested in sex again, once he's made one big life-changing mistake). I don't expect to see the book on the Accelerated Reader list at the local middle school any time soon.
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Tuesday, March 15, 2011

The Amazing Flexible Booklist

I've never made a to-read short list that I've followed exactly. Something always gets in the way--such as another book. But since I am determined to make a tentative list, I've been perusing my shelves, my eReader, and my notes from conferences and from friends.

Some of the books on my list--and my shelf--come directly from my Lemuria First Editions Club, books that arrive on my doorstep every month, signed by the authors, almost like magic. Some I knew about before they arrived; almost certainly, though, I hear about them soon. They have a knack for picking books down in Jackson, Mississippi. From those shelves, I'm planning first to read these:

Madison Smartt Bell's Devil's Dream (about Nathan Bedford Forrest)
Siobhan Fallon's You Know When the Men Are Gone (military wives waiting at Ft. Hood)
Joseph O'Conner, Ghost Light
Amy Greene, Bloodroot
Sonny Brewer, ed. Don't Quit Your Day Job

Others on the shelves calling my name:
Firoozeh Dumas, Funny in Farsi (I heard the author speak in Orlando and can't wait for this one.)
Marcus Zusak, I Am the Messenger (by the author of Book Thief)
Dava Sobel, Longitude
Rick Bragg, All Over but the Shoutin' (yes, I confess I haven't read it yet!)
Emma Donoghue, Room
Nancy Horn, Loving Frank
Alice I Have Been,
Gary Shtenygart, Super Sad True Love Story (from Carol Jago's list)
Dave Eggers, Zeitoun
Nancy Mitford, Savage Beauty (Edna St. Vincent Millay)
John McPhee, Silk Parachute

This last I chose when I heard the title mentioned on Writers Almanac. McPhee, a regular contributor to The New Yorker, wrote a beautiful, quirky piece about his mother near Mother's Day several years ago. It struck me enough that I wrote him, and he replied with a lovely handwritten note. I am trusting that the silk parachute in the title is a reference to that same lovely essay. I still have it torn from the magazine and filed in office with other essays that I've particularly loved. I can't wait to see what else he's included.

I may have to add Sarah's Key, since several people have recommended it, and my sister Amy insists I must read The Book of Secrets. Now all I need is more time to read.

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Thursday, March 10, 2011

Prioritzing Reading

First, just a thought: Would more young people read books if they felt guilty for taking the time away from other things? I know that some days i have so many pressing responsibilities (and competing hobbies) that time spent between the covers of a good book feel like a genuine guilty pleasure. But I keep reading.

Right now, I need help arranging my "to read" pile. It shifts like the line at the grocery checkout, everyone jockeying for the shortest path to the fromt of the line. I am reading Cleopatra: A Life, the Pulitzer-prize winner, because it's a book club choice, but I'm overwhelmed trying to decide what next.

Since I feed my need to read regularly--okay, excessively--I NEVER run out of books to read. Between bookstores, English conferences, and generous friends, I will never ever run out of something to read. (And right now the latest Oxford American sits on my nightstand. Ahhh!)

Before I throw out my choices in a post (coming soon to a computer screen near you), I'd love to hear others' recommendations for the next "must read."
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Monday, March 7, 2011

When the Future Meets the Present

How timely that I've found myself reading my way through Suzanne Collin's Hunger Games series as dictatorships and autocratic governments are under revolt overseas. Panem, the setting for the three novels (including the second and third, Catching Fire, and Mockingjay), is a futuristic American, twelve--or thirteen--districts ruled by The Capitol, which requires each district to send "tributes" to participate in a battle royal each year.

As the second book ends and the third begins, a revolution is underway, but District 13, the new alternate government seems in many ways as controlling as the old one they seek to supplant. After watching Mubarek's government toppled, and seeing Qaddafi (choose your own spelling) under attack, I realize how far removed we are from our revolution, so much so that we have a hard time identifying with rebels so intent on change they are willing to risk their lives and homes.

The trilogy's protagonist, seventeen-year-old Catniss Everdeen seems an unlikely figure for the rebellion, but in so many of the recent protests and attempts, the faces on our television screens are young. The third novel in the series gives an interesting look at how media can manipulate images for good or for evil, alternately rewarding and punishing independent thinkers. Not feeling completely comfortable myself in futuristic tales, I was relieved when a glamorized, made-for-TV version of the unlikely hero was scrapped for a natural girl. Now as I wend my way through the last book in a series (my second series in a month--and the only one besides Harry Potter in years), I'm wondering how many other parallels I'll see between her world and mine--or what my world is becoming.
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Sunday, February 20, 2011

The Girl Who Fell from the Sky

No, I haven't discovered the missing Larrson novel. Just by coincidence, the book I picked up next happened to have a similar title. Heidi W. Durrow's novel was recommended to me by a bookseller back in November. The novel is told from a number of points of view, varying chapter-by-chapter, but the main character is a young girl Rachel Morse who survived a fall from a rooftop in which her mother and two brothers died. She is sent to live with her paternal grandmother and to make a new life as the new girl. Fitting in becomes more complicated on a number of levels: Rachel's mother was a Danish woman who had married a black American serviceman. She inherited a mix of features that leave her father's hair and her mother's striking blue eyes. A thread of the plot addresses the way in which race shapes how we view ourselves and how others see us.

Among the minor characters is a young boy James, who changes his name to Brick after witnessing Rachel and her family's fall. He runs away from home--already an unstable environment, since his mother ignores him in favor of her Johns--when the police try to question him about the fall. Most of the characters in the novel are directly or indirectly affected by alcohol and drug addiction. The one stable adult in Rachel's life is her the fiance of her aunt who dies as the result of a drug reaction after a freak accident. This man is protective of her, giving her an opportunity to work with him and others in a rehab facility. Most of the characters, including Rachel, have many layers of character, and even the plot leaves readers questioning just what exactly made Rachel's mother Nella grow so hopeless.

Ironic, isn't it, that this particular "Girl Who" story leaves the Scandinavian region for America, but leaves a young girl fighting for her life.
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Monday, February 14, 2011

Thoughts on Valentines Day or What to Do While Waiting on Your Muse


I'll admit that I've never had a knack for special holiday gifts and celebrations. I never find my cute Valentine's Day pins until about March or April. I either think of some great gift idea on the 12th but can't pull it off or I think of a great idea on the 16th of February and can't remember it for 363 more days.

Valentine's Day (like all holidays) is even more of a challenge for women than men. At least men have the no-brainer options of flowers or chocolates. But what do you get a man? A Valentine's Day tie? Please. No.

We celebrated the occasion a few days early with a trip to the mountains, and while there I read in one of the little local mountain papers some Valentine's gift suggestions. I'll admit the mix tape appeals to me, but I also liked the picture frame suggestion--maybe not a photograph but a poem.

Then this morning, heading off to work, I heard Garrison Keillor's Writer's Almanac on NPR, and he read a Valentine poem by Ted Kooser, rekindling an old envy. When Kooser served as the national poet laureate, he spoke at the NCTE convention (one of the first--if not the first to do so). In one session, he mentioned that he kept a mailing list of women to whom he mailed an annual Valentine's Day poem. I missed the mailing list, but two of my colleagues shared their mailing addresses, and sure enough--along came their poems on postcards, suitable for posting on the bulletin board where I could see and envy.

Evidently two or three years ago, Kooser collected and published the poems in a book called, appropriately enough, Valentines. All day I've been thinking about the gift of poetry. No one receiving a poem as a gift is likely to critique it (unless you have the misfortune of one poor well-meaning poet I encountered: spell check couldn't overcome her faux pas, leaving a reference to the "genital winds" that blew in her face in a poem submitted to a writing contest.)

What does it take to write a Valentine's Day poem (or a birthday or Christmas or Thanksgiving poem)? You already have a couple of the most important elements--a purpose and a deadline. One cannot wait wistfully for the muse to strike when a deadline approaches. For those who lack the poetic bent, there is the option of parody (unlike plagiarism in which the object is to steal, not to attribute and honor). Take a poem you love and adapt it: Shakespeare compared his love (real or imagined) to a summer's day. That leaves you three other seasons. Wallace Stevens had "Thirteen ways of looking at a blackbird." You can pick your number and your focus.

Keep in mind that rhyme is not necessary (and can be a deterrent, not an asset). Keep it concrete. Avoid love, dove, above rhymes and choose objects from nature that make the abstract concrete.

Humor can be romantic. I still have a slim volume of poems I bought from the Scholastic Book order in tenth or eleventh grade. Some of the poems are sober classics; others make me giggle. You'll never know if you can do it unless you try, right?

If all else fails, pick up a volume of someone else's poems and add a romantic inscription: On my own, I don't have the words.
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