Friday, August 7, 2020

Camron Wright's novel The Rent Collector: A Favorite Book of the Summer of 2020

 I know I have a good book when, before I'm halfway through it, I'm thinking of people to whom I want to recommend it. I read some books that are quirky enough for me but are not for all sensibilities. During this summer, I have found myself reading more books that usual--and that's saying a lot. One that might not have come into my sights was a book club choice by my friend Barb. Camron Wright's novel The Rent Collector is set in a garbage dump in Cambodia, not exactly the kind of setting one would expect to be an uplifting book. Trust me; it was. 

The protagonist Sang Ly lives with her husband Ki Lim in the Stung Meanchey dump where her husband works as a "picker," going through the daily loads of trash, hunting for items of value that can be resold. Their young son Nisay is chronically sick with diarrhea, a continual source of concern. The story picks up when Ki Lim's finds include a picture book. When Sopeap Sin, the disagreeable woman who collects rent, sees the book, Sang Ly sees her reaction and realizes the woman can read. She bribes her with alcohol to teach her to read and discovers there is so much more to the woman that she could have imagined. For Sang Ly, reading is transformative. 

A story of survival, The Rent Collector is told almost in parables, as Sang Ly discovers the power of literature. The story is so beautifully told as the characters realize the power of books to change lives. Wright also demonstrates what can happen when we realize the layers that make up individuals we encounter. 


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Tuesday, July 21, 2020

Celebrating Summer Reading: Emily St. John Mandel's The Glass Hotel

One mark of a good writer is the capacity to follow one engaging novel with another without reusing the same patterns or retelling the same tale. Emily St. John Mandel's novel Station Eleven was both engrossing and haunting, following a troupe of actors in a post-apocalyptic world.

Her newest novel The Glass Hotel is set firmly in this world, but it grabs readers early and doesn't let go. Mandel begins the book with three minimal glimpses of events from later in the story. They are vague enough not to reveal the characters involved, but specific enough in their imagery to remain like a bookmark for the reader.

The narrative first follows Paul, back at his father's home after his step-sister Vincent's mother disappears while boating alone, and then as he becomes infatuated with a female singer at a bar before giving her and her colleagues what end up being tainted drugs to one of her band members. Needing to get away to avoid any responsibility, he takes a menial job at the hotel to which the title refers, where Vincent works as bartender. An elaborate hotel on an island near Vancouver, it accommodates wealthy guests who want all the comforts and pleasures, while completely isolated from the world.

The focus moves away from Paul to his sister Vincent, when she meets one of the wealthy guests who actually owns the hotel, Jonathan Alkaitas, recently widowed. She next appears in tabloids as his wife--a fiction the two create to allow her to play a needed role in his life, while letting her to live as she pleases, with her new persona, shopping and dining without concert for credit limits.

The story takes a sharp turn when Alkaitas' business collapses, revealed as a Ponzi scheme, landing him in prison, from which a portion of the narrative is told.

Mandel introduces minor characters, then weaves together the cast of characters and their storylines, using what at first seem to be minor details--messages etched on windows, Vincent's habit of filming five-minute videos. The details come together to produce a story that is fresh and suspenseful. Not once did the story recall Station Eleven. Anyone who reads both novels will be tempted to look for her earlier works until her next novel is published.
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Friday, July 17, 2020

Virtual Format for Southern Festival of Books Reaches Broader Audience



This is such a season of misgivings. The only reason my calendar isn't bare is that I had already recorded all the plans I had before all the cancellations--MerleFest, James Taylor and Jackson Brown at Bridgestone, Americana Fest, Swannanoa Gathering, the IBMA's, even Sing-along Sound of Music at the Nashville Symphony: Cancelled or Postponed.

This week, though, Humanities Tennessee hosted the reveal party for Nashville's annual Southern Festival of Books on Zoom. Some of the authors who will participate in the virtual festival October 1-11 were on hand to read or speak to the nearly 200 people who logged on for the virtual event. Cinelle Barnes introduced A Measure of Belonging, an anthology of new writers of color, with Nashville's own Tiana Clark reading from her essay in the collection. 

Another favorite Nashville writer Ruta Sepetys, whose latest novel Fountains of Silence is a crossover bestseller appeals to adult and young adult readers, participated, noting that she is thankful  she won't have a conflict this year--no matter where she is.  

Poet Nikky Finney also joined the meeting from South Carolina to talk about her new book Love Child's Hotbed of Occasional Poetry, with other material, including photos and notes from her years of journals, joining her poetry. 

Some favorite authors are returning: Yaa Gyassi will discuss her novel Transcendent Kingdom, due out in September. Erik Larsen will be discussing The Splendid and the Vile. Alice Randall will be reading from Black Bottom Saints. The charming and funny Southern writer Lee Smith will return to talk about Blue Marlin.

Ron Rash, a perennial favorite at the festival, has a new novel In the Valley coming out soon, which he will be discussing this year. The current National Poet Laureate Joy Harjo will participate, as will 2012 Poet Laureate Natasha Tretheway. 

One of the most engaging writers on the Zoom meeting, M. O. Walsh, author of My Sunshine Away has a new novel that is already getting advance attention. Dedicated to the late John Prine, the book also gets its title The Big Door Prize from Prine's song "In Spite of Ourselves," which Walsh said he and his wife chose as their wedding song. 

While a virtual Southern Festival of Books may be a letdown to regular attendees and volunteers who invariably go home with armloads of new books--signed by the authors, Parnassus Books has promised to do their part to make the festival a success in the new format.Other good news is that book lovers who might not be able to get to Nashville for the festival otherwise will have access now, and as the directors reminded everyone, the festival is always free. That's just one more reason to mark the first days of October 2020 on the calendar--in ink.



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Reading Books from My Own Shelves

Book lovers can justify adding to our book collections at a pace faster than we can match in our reading. The idea of finishing one book without another to start next is a minor terror. 

We voracious readers fantasize about being stuck at home with nothing to do but catch up on reading. Snow storms--we're prepared! Pandemic--ditto! 

While I use my public library account continually, placing holds on the waiting list for new releases, I have focused on books I've missed on my shelf in the last few weeks and months. 

I loved Austin Kleon's little book Steal Like an Artist, so when he visited Parnassus Books last year, I picked up another of his books, Show Your Work. In it, he points out that one's "work" is more than the finished product; it's the process too. It was one of my June reads, and in this book, he includes some of his "black out poems" --  created by removing all but the operative words on a page of prose.

I also had a copy of Truman Capote's Breakfast at Tiffany's for years without having read the book. It's actually "a short novel" with three other stories, one of which, I was delighted to discover was his beautiful story "A Christmas Memory." When I read the title story, though, I came across a page that set my 2020 alarm bells. The narrator and Holly go shopping -- or shoplifting -- and pick up masks. It seemed perfect for a blackout poem:
I'm probably one of the few people in America--at least of my generation--that hasn't seen the Audrey Hepburn movie, so I was able to read the story with very few preconceived ideas. Now I can watch the film and complain, "The book was better."

I also located Mark Mills novel Amagansett, set in an east coast fishing village shortly after WWII. The novel opens with a pair of fishermen pulling in a net and discovering the body of a woman identified as Lillian Wallace from a wealthy, powerful family.

Mills follows some of the major characters involved in the aftermath of what may or may not be an accidental drowning. Readers learn that the protagonist Conrad Labard, a first-generation Basque fisherman and war veteran, had a connection to the dead woman. 



Deputy Chief Tom Hollis, recently transferred to the East Hampton Town Police Department, has a gut feeling that doesn't accept the coroner's ruling of accidental drowning, to the dismay of his supervisor Chief Milligan.

There's a wedge between the long-time local fishermen and the moneyed new arrivals, whose development is encroaching on property and fishing rights, so Labard and Hollis follow their own suspicions separately. The death of another local girl in an unsolved hit and run before Hollis' arrival in town presents a clue to Lillian's death.

With glimpses into the past of major and secondary characters, Mills weaves a plot that is both suspenseful and character driven. 

Another book I found waiting on my shelf was Elizabeth Berg's The Art of Mending. I had read Berg before, most recently the charming The Story of Arthur Truluv. This book follows the protagonist Laura, a seamstress who makes unique quilting projects, setting the stage for the controlling metaphor in the book. She and her immediate family are joining her brother and sister for a reunion in their parents' hometown for the Minnesota State Fair. 

While they are together, Caroline, her sister, wants to confront her family with claims of childhood abuse. Then a family crisis arises that makes the confrontation more difficult, especially since Laura and their brother had no memories aligning with Caroline's.

While I continue to read new releases and book club selections, I am happy to know other promising stories are already waiting in my study.






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Saturday, June 27, 2020

Accidental Empress by Allison Pataki

One of the benefits and challenges of belonging to a book club is the expectation to read someone else's book choice. I feel fortunate that in my book clubs (yes, I'm in more than one), the members are good sports about reading and coming prepared to discuss such a variety of books, even when these might not have been our personal first choices. We learn as much about each other as about the books themselves.

This month for one book club, I read The Accidental Empress by Allison Pataki, a well-researched work of historical fiction that I might not have considered reading otherwise. I will admit that I had a little bit of trouble with the first pages. A debut novel, the introduction felt a bit clunky. I also caught myself looking up words the characters used (such as surreal) to confirm my suspicion that they were a bit anachronistic.

Nevertheless, this novel about a Bavarian girl Elisabeth (called Sisi) who married Emperor Franz Joseph of the Habsburg dynasty, when his empire, in addition to Austria, included Hungary, Italy, and France, introduced me a part of European history that was totally unfamiliar. Sisi was raised without the strict upbringing of a royal court. She loved riding horses and spending time out of doors. Originally, she wasn't intended to be the wife of her first cousin Franz. (Yes, there's that cousin issue.) Her older sister had been selected by Sophie, her aunt that became her mother-in-law.

Marrying Sisi was one of the rare occasions when Franz bucked his mother's plans. After the marriage, though, she took charge. And when the couple's children came alone, Sophie took over them too. Surrounded by ladies in waiting who reported her every move, Sisi fell into a depression and focused on her appearance, spending hours on her hair and skin.

While the discomfiting details Pataki shares about Sisi's life are supported by research, to the people in her husband's kingdom, she was beloved. She is credited with some of her husband's political successes.  Her diaries also provide much insight into her life. Partake also goes into detail about an alleged romance between her and Andrassy, one of the powerful figures in Hungary.

As I read this novel, I found myself searching the internet--history.com and Youtube videos--to learn more about the most interesting powerful woman. I found that yes, she was known for her elaborate hairstyles and her corseted 18-inch waist. I also found that there is so much more to her story, which explains why Pataki has written a sequel.

When our book club met to discuss the book, one of the members, originally from Germany, told us that when she grew up, Sisi was their Cinderella. They knew all of the wonderful things about her. I couldn't help making my own connections to Princess Di and to Jackie Kennedy--and most recently, Meghan Markle. All these women's stories are a reminder that a royal lifestyle leaves much to be desired--especially for strong women with minds of their own.
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Thursday, June 25, 2020

Never Have I Ever by Joshilyn Jackson: A Novel I Never Expected Her to Write

I've been reading Southern author Joshilyn Jackson's novels since I discovered Gods in Alabama with my book club. The Florida native, educated in Georgia, knows the South. Her writing is pitch perfect whether she is discussing football, scandal, or church dinners.

I recently read (and wrote about) Almost Sisters, but didn't even know Never Have I Ever had been published until I got a recommendation from a friend who pointed out that it was not like anything Jackson had written. Still firmly set in the South, this book is more of a suspense novel that a Southern family story.

Amy Whey, the protagonist of the novel, is hosting the monthly neighborhood book club, organized and run by her best friend Charlotte, when a new nearby renter Roux floats in and takes over, generously raiding Amy's liquor cabinet to serve the book club members while introducing her game: What's the worst thing you've done today...this week...this year...ever.

Readers then travel by flashback to Amy's past when, as an overweight, unhappy outsider in high school, she is involved in a fatal accident. She eventually transforms her life, has a new husband, baby, and a stepdaughter she loves, but she keeps her secrets.

Roux's handsome son pays more attention to Amy's stepdaughter than she finds comfortable. Then when Roux turns her game into a blackmail scheme, Amy has to decide how to extricate herself while protecting herself, her friends, and especially her family.

Amy's own transformation came when she learned to dive, a hobby she has turned into a teaching career. While I know almost nothing about scuba diving, Jackson's details are convincing as she takes readers along on a dive into a shipwreck off the Florida coast. Just as realistic is her psychological exploration of a woman who has much to lose and must rely on her wits to win against a diabolical woman.
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Wednesday, June 24, 2020

Crusoe's Daughter by Jane Gardam

Books don't fit into a true diagnosis of hoarding; that's my firm conviction. While I admit to waves of guilt when I rearrange my shelves and see books I haven't quite managed to read yet, I still give them a place to wait. Too many times to mention, when I've finished one book without another pestering me to read it, I've scanned my shelves and landed on just the right book at just the right time.

During this period of quarantine, I've had access to the library's electronic collections, both audio and print. Sometimes, I have found my time limit up before I've finished reading, and the book is whisked away to the next reader on the waiting list.

I'm also thankful that Parnassus Books still continued to deliver book orders, after having to abandon curbside pick-up.

My own book collection, though, has been a treasure trove through spring and into summer. Early this week, I was drawn to Jane Gardam's novel Crusoe's Daughter, which has been waiting for several years. The book, originally published in 1985, arrived by post a few years ago with a few others from the Europa Editions, including Old Filth, another novel by Gardam. It too had to wait its turn, richly rewarding my efforts when I finally decided to read it.  Likewise, Crusoe's Daughter hadn't come up in a single book discussion, so I'm not sure why I decided to read it now.

Set in a remote, marshy area of England in the first half of the twentieth century, the novel follows Polly Flint, a motherless child left with her two old aunts when her father leaves for sea, where he dies. Along with Mrs. Woods, their boarder, Polly meets a parade of people, housemaids, delivery boys, the local nuns, and the Ziets, a wealthy German family with children near her age, building a second home nearby.

Despite the title's suggestion, this is not a reimagining of Robinson Crusoe's abandoned offspring. Instead, Polly, who never attends school formally, is taught languages and music by her aunts and Mrs. Woods but spends much of her time reading and rereading Dafoe's novel Robinson Crusoe, eventually translating it into German and French and writing volumes of critical response.

While distanced from both world wars, Polly and the other residents of the Yellow House feel its effects in increasing but subtle measures. Not only does the novel unveil the evolution of Polly's character, but it also examines the structure of the English novel as well.

Crusoe's Daughter exhibits the subtlety one expects from a decidedly English novel, springing clever surprises, playing with language, and sending me searching for a pencil so I can make note of passages I want to recall or to discuss with the next person with whom I share this delightful book.
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